Signorelli

These pieces are praised as superior to those of Signorelli, and as in many parts approaching the early style of Raffaello.

To Signorelli it came late, at an age when most men begin to feel at least their physical powers on the wane.

Signorelli seemed destined to find nothing but disappointment in Rome.

The composition is grand, and in the importance given by it to the two principal figures we certainly see the work of Signorelli.