And near the end of the play, Seguin offered an allusion to Fiddler on the Roof, yelling, “Sunrise, sunset!”
“We always call back to something from our previous shows,” explained Seguin.
And Seguin plays one of the more anti-Semitic representations.
Seguin openly lived with Nora, the governess, for whom he had furnished a little house.
An indefinite idea that his daughter may be in danger crosses the mind of Seguin.
As Seguin made this appeal, all eyes were turned upon the trapper.
Come,” said Seguin, touching me on the arm, “our supper is ready; I see the doctor beckoning us.
An unheroic name like Siggins may be connected with several heroes called Seguin.
