The name of the opera was changed to Fidelio, but the various overtures written for it are still known as the Leonore overtures.
A companion picture to the crucified "Othello" was the performance of "Fidelio," which all Paris was talking about at that time.
Upon which I took his little conversation book and wrote in it: And Fidelio?
“Tell him there is nothing hidden under our rags but hearts of sorrow,” said the mother of Fidelio.
Tula sped to Fidelio, secured the key and was back to hold the stirrup of Rotil as he was helped to the saddle.
