Cellini

But a listener has sneaked in—Fieramosca, the Pope's sculptor, and no less Cellini's rival in love than in art.

There would be a good deal of Cellini cup and Limoges plate, and Palissy dish, and golden chased goblet about it, no doubt.

To delineate Cellini will be the business of a distant chapter.

You are, of course, willing to make some allowance for Cellini's time and place—the first half of the sixteenth century and Italy.

This was a great improvement on the simple concave mirror which so terrified Cellini.